Growing up in London during the noughties, I was constantly immersed in a world of suits. They adorned City financiers rushing through the financial district. You could spot them on fathers in Hyde Park, kicking footballs in the golden light. Even school, a cheap grey suit was our mandatory uniform. Traditionally, the suit has functioned as a uniform of seriousness, signaling authority and performance—traits I was told to embrace to become a "adult". However, until recently, my generation seemed to wear them infrequently, and they had all but vanished from my consciousness.
Subsequently came the newly elected New York City mayor, Zohran Mamdani. Taking his oath of office at a closed ceremony dressed in a subdued black overcoat, pristine white shirt, and a notable silk tie. Propelled by an ingenious campaign, he captured the world's imagination like no other recent mayoral candidate. But whether he was celebrating in a hip-hop club or appearing at a film premiere, one thing remained mostly constant: he was frequently in a suit. Relaxed in fit, contemporary with soft shoulders, yet conventional, his is a quintessentially professional millennial suit—that is, as common as it can be for a cohort that seldom bothers to wear one.
"The suit is in this weird position," notes men's fashion writer Derek Guy. "It's been dying a slow death since the end of the Second World War," with the real dip arriving in the 1990s alongside "the rise of business casual."
"It's basically only worn in the most formal locations: marriages, memorials, and sometimes, legal proceedings," Guy explains. "It's sort of like the traditional Japanese robe in Japan," in that it "essentially represents a custom that has long retreated from daily life." Numerous politicians "wear a suit to say: 'I represent a politician, you can trust me. You should vote for me. I have legitimacy.'" But while the suit has traditionally signaled this, today it enacts authority in the attempt of winning public confidence. As Guy clarifies: "Since we're also living in a liberal democracy, politicians want to seem approachable, because they're trying to get your votes." To a large extent, a suit is just a subtle form of performance, in that it performs manliness, authority and even closeness to power.
Guy's words stayed with me. On the infrequent times I require a suit—for a wedding or black-tie event—I dust off the one I bought from a Japanese retailer a few years ago. When I first picked it up, it made me feel refined and expensive, but its slim cut now feels outdated. I suspect this feeling will be only too recognizable for numerous people in the global community whose parents come from somewhere else, especially developing countries.
It's no surprise, the everyday suit has fallen out of fashion. Like a pair of jeans, a suit's shape goes through trends; a particular cut can thus characterize an era—and feel quickly outdated. Consider the present: more relaxed suits, reminiscent of a famous cinematic Armani in *American Gigolo*, might be in vogue, but given the price, it can feel like a significant investment for something likely to be out of fashion within five years. Yet the attraction, at least in some quarters, persists: recently, department stores report suit sales rising more than 20% as customers "move away from the suit being daily attire towards an appetite to invest in something special."
The mayor's go-to suit is from Suitsupply, a Dutch label that sells in a moderate price bracket. "He is precisely a product of his upbringing," says Guy. "A relatively young person, he's neither poor nor exceptionally wealthy." Therefore, his moderately-priced suit will appeal to the group most likely to support him: people in their thirties and forties, university-educated earning middle-class incomes, often discontented by the cost of housing. It's exactly the kind of suit they might wear themselves. Not cheap but not extravagant, Mamdani's suits plausibly don't contradict his stated policies—such as a capping rents, constructing affordable homes, and free public buses.
"It's impossible to imagine Donald Trump wearing this brand; he's a luxury Italian suit person," observes Guy. "He's extremely wealthy and was raised in that New York real-estate world. A power suit fits naturally with that elite, just as more accessible brands fit naturally with Mamdani's cohort."
The history of suits in politics is extensive and rich: from a former president's "controversial" beige attire to other world leaders and their suspiciously impeccable, custom-fit sheen. Like a certain British politician discovered, the suit doesn't just dress the politician; it has the power to define them.
Perhaps the key is what one scholar refers to the "performance of ordinariness", invoking the suit's historical role as a standard attire of political power. Mamdani's particular choice leverages a deliberate understatement, neither shabby nor showy—"conforming to norms" in an unobtrusive suit—to help him connect with as many voters as possible. However, some think Mamdani would be cognizant of the suit's historical and imperial legacy: "The suit isn't neutral; scholars have long noted that its contemporary origins lie in military or colonial administration." It is also seen as a form of defensive shield: "It is argued that if you're from a minority background, you aren't going to get taken as seriously in these white spaces." The suit becomes a way of signaling legitimacy, particularly to those who might question it.
Such sartorial "changing styles" is not a recent phenomenon. Indeed historical leaders once wore formal Western attire during their formative years. These days, other world leaders have started exchanging their usual military wear for a dark formal outfit, albeit one lacking the tie.
"In every seam and stitch of Mamdani's image, the tension between insider and outsider is apparent."
The suit Mamdani chooses is deeply significant. "As a Muslim child of immigrants of South Asian heritage and a democratic socialist, he is under pressure to conform to what many American voters look for as a sign of leadership," says one expert, while at the same time needing to navigate carefully by "not looking like an elitist betraying his distinctive roots and values."
Yet there is an sharp awareness of the different rules applied to who wears suits and what is interpreted from it. "This could stem in part from Mamdani being a millennial, able to assume different personas to fit the occasion, but it may also be part of his diverse background, where adapting between languages, traditions and clothing styles is typical," commentators note. "Some individuals can go unnoticed," but when women and ethnic minorities "seek to gain the authority that suits represent," they must meticulously negotiate the expectations associated with them.
In every seam of Mamdani's public persona, the tension between somewhere and nowhere, inclusion and exclusion, is visible. I know well the discomfort of trying to fit into something not built for me, be it an inherited tradition, the culture I was born into, or even a suit. What Mamdani's sartorial choices make evident, however, is that in public life, appearance is not neutral.
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